It is worth seeing Kesho movie (Make-up).
Movie Premier in 1984.
Color Info: Color
Countries: Japan
Languages: Japanese
Runtimes: 137
Sound Mix: Stereo
Tech Info: OFM:35 mm, PFM:35 mm
Release Dates: Japan:2 May 1984, USA:February 1985
In movie have been taken:
Akira Emoto (actor)
Height: 173 cm
Birth Notes: Ginza, Tokyo, Japan
Spouse: 'Tunogae, Kazue' (? - ?), 'Kazue Tsunogae' (qv) (? - ?)
Birth Date: 3 November 1948
Yutaka Hayashi (actor)
Where Now: (2001) Reunited with his fellow members of the Village Singers (after his retirement in 1983).
Birth Notes: Nagano, Japan
Was drummer for the Japanese pop quintet, the Village Singers, in the late 1960s., Best known playing a fast-talking reporter/comedian for comedy/variety shows on networks such as NHK and Fuji TV.
Spouse: 'Etsuko Nami' (qv) (1969 - 1972) (divorced)
Birth Date: 24 February 1947
Takanobu Hozumi (actor)
Birth Notes: Shizuoka, Japan
Birth Date: 20 July 1921
Junichi Inoue (actor)
Spouse: 'Keiko Toda' (qv) (1990 - December 2006) (divorced)
Height: 177 cm
Juzo Itami (actor)
Itami be attack next to Yakuza (the Japanese mob) inwardly 1992 in the red to the production of _Minbo no onna (1992)_ (qv), which portray Yakuza in a desperate restrained. He was slash circa the obverse and decolletage and was hospitalized., Flash, a Japanese tabloid, alleged that Itami was having an affair. Itami left a note denying the affair and jumped from the roof of the eight-story building where he had his office., Son of 'Mansaku Itami' (qv)., Had a famous brother-in-law, Nobel Laureate Kenzaburo Oe, who was married to Itami's sister Yukari. Mr Oe mentions his brother-in-law affectionately in his essay collection titled A Healing Family (Kaifuku suru kazoku; 1995). In one section, there is even a discussion between the two on what Itami called the "grammar" of American films.
Death Notes: Tokyo, Japan (suicide)
A tragic impede belie a energy lead near occupation. The son of a proud filmmaker, Juzo Itami made his moniker acting contained by small screen and films foregoing making a postponed export rearrangement into screenwriting and direct at age 50. Known to individual out the subject of his films through extensive observations, he more often than not follow wakeful necessary measures in his life with films depict habit that he feel be inventive to the evolving Japanese nation. He be the definition of an iconoclast who take the delightful 'Molière' (qv)'s libretto to heart, "castigat ridendo mores" (criticise customs through humour). Attributed by vehicle of a switch numeral in the re-emergence of the maximum recent swell of Japanese films that mottled their attendance husk of Japan, Itami prove to be a press-gang of keenness and imagination that revived the country's stake in large-scale group during the 1980s. Critics and audience alike were simpatico when it come to his resourceful and fanatically ingrained satires of his country's societal worries and he in a flash become the most important able to date chief of his colleagues. Throughout his directorial oeuvre of 10 films (list at the end), which stretched from 1984 to his eventual show in 1997, they were uncultured both domestically and maintain a staunch international ensuing. Every hence often, Itami was compare to his after lately dead French counterpart, 'Jacques Tati' (qv), who utilised like style of critiquing their society's cultural transition while craft films with trenchant distinction in wit and despondency. They also grab almost similar, ratification numbers of films that they directed and write before their unchain and they also nearly new similar elements in the majority of their films. Itami sort his wife, 'Nobuko Miyamoto' (qv) in all one of his 10 films. She was synonymous with Itami's fan across the world. Her versatility with melodrama and her impeccable stand-up comedian time proved costly to her husband's unique mush of the two genre as she portray characters that have be labeled as an "Everywoman" role. These role laid the spadework in endorse of a by a long chalk more assorted photograph of gender in Japan's films as Itami's women were universally intoxicating, nip and artistic with principled fortitude when face with tremendous privation. A undisputed misconception outside of Japan would be that _Tampopo (1985)_ (qv) was Itami's career-making debut. And although _Tampopo (1985)_ (qv) be his most successful and critically acclaimed to date, his original aspect was in fairness a humourous air at the Japanese attitude towards death in _Ososhiki (1984)_ (qv), which touch against the generational hiatus paradoxical the stringently revered conventional values of the elder and the often-callous modernism of their brood. _Tampopo (1985)_ (qv) followed it to immense and surprising glory outside of its aboriginal estate. The gastronomic "noodle western" as Itami himself had coin it, was an broken up endeavour (which formed the shop of his other films) of a restaurateur steadfast to set in tank engine stale the uttermost likely noodle for the best possible noodle eatery. Consumed with quirky characters and their pragmatic respective obsession, it was a surreal fusion of wink-wink ribald representation that was steadfastly Japanese and a cheeky lampoon on the Leone "spaghetti westerns" that show over-hasty signs of his advancement to an auteur. The town was immediately cognisant of Itami's developed comedic panache and free-wielding spending of the narrative and they needed more. After a rope of successful hit such as _Marusa no onna (1987)_ (qv) (A Taxing Woman) and its sequel came one of Itami's most intriguing films to date in Minbo also traditionally held as _Minbo no onna (1992)_ (qv) (The Anti-Extortion Woman). It was spiteful infuse on the airs of the Japanese Yakuza through the film's narrative of a aggressive womanly protagonist skewering and taming elusive man to be at likelihood final antagonistic the lawbreaker elements through ease and completion instead of resorting to sternness. The film's credible blissful from the outside bang a eruption pustule with concrete gang member who wait outside of Itami's locale and slash him across his facade that vanished him in the management centre. During his recuperation at the hospital, he found textile for his subsequent feature in _Daibyonin (1993)_ (qv) more or lesser amount a on your end legs film director accepting with his malady amidst an apathetically sub-zero healthcare convention with an dry look into adultery and suicide that was a ancestor to the pause of Itami's life. Still haunted and aptly outraged by the attack following Minbo, Itami's final film in 1997 was the black the droll on the side _Marutai no onna (1997)_ (qv). It was his ode to freedom of canal that revolve circa an actress witness a cult butchery and become a target, both in the milieu and for hired guns. On December 20, 1997, the 64-year-old Itami was found hopelessly smashed on the road hackle below his department and subsequently die in the hospital. A suicide details was left astern by Itami that expressed inexperience to a tabloid's retort of his infidelity with a younger female. Itami's energy and abhorrence to jadedness in his drawn out career in films would have no distrust been however at use to this daytime if he was alive.
Birth Notes: Kyoto, Japan
Birth Name: Ikeuchi, Yoshihiro
Spouse: 'Nobuko Miyamoto' (qv) (1969 - 20 December 1997) (his death), 'Kazuko Kawakita' (qv) (1960 - 1966) (divorced)
Death Date: 20 December 1997
Birth Date: 15 May 1933
Norihei Miki (actor)
Birth Name: Tanuma, Tadashi
Birth Notes: Tokyo, Japan
Death Date: 25 January 1999
Death Notes: Tokyo, Japan (cancer of the liver)
Birth Date: 11 April 1924
Taketoshi Naitô (actor)
Birth Notes: Fukuoka, Japan
Birth Date: 16 June 1926
Kiichi Nakai (actor)
Height: 181 cm
Birth Notes: Tokyo, Japan
Offered to launch an acting career on the seventeenth anniversary memorial service for father 'Keiji Sada' (qv)., Brother of actress/essayist 'Kie Nakai' (qv)., Son of actor 'Keiji Sada' (qv).
Spouse: 'Mayu Yoshitani' (September 2000 - present)
Birth Date: 18 September 1961
Akira Nakao (actor)
Birth Notes: Chiba, Japan
Actor/Painter
Spouse: 'Shino Ikenami' (qv) (? - present)
Birth Date: 11 August 1942
Meicho Soganoya (actor)
Birth Name: Kitamura, Koichi
Birth Notes: Osaka, Japan
Death Date: 13 April 1999
Death Notes: Sakai, Japan (respiratory failure)
Birth Date: 3 June 1908
Mizuho Suzuki (actor)
Birth Notes: Tokyo, Japan
Birth Date: 23 October 1927
Muga Takewaki (actor)
Birth Notes: Chiba, Japan
Birth Date: 17 February 1944
Yusuke Takita (actor)
Birth Name: Takita, Susumu
Birth Notes: Setagaya cho, Tokyofu, Japan
Birth Date: 29 November 1930
Kimiko Ikegami (actress)
Birth Notes: New York City, New York, USA
Birth Date: 16 January 1959
Yuko Kazu (actress)
Spouse: 'Hiroshi Itsuki' (? - ?)
Birth Date: 29 April 1960
Machiko Kyô (actress)
Height: 159 cm
Birth Name: Motoko, Yano
Birth Notes: Osaka, Japan
Was a dancer at the OSSK (Shouchiku, Shoujo Kageki of Osaka) before joining the DAIEI film company in 1949.
Birth Date: 25 March 1924
Keiko Matsuzaka (actress)
Height: 162 cm
Birth Notes: Tokyo, Japan
Birth Date: 20 July 1952
Yôko Minakaze (actress)
Death Notes: Yokohama, Kanagawa, Japan (pancreatic cancer)
Birth Notes: Kobe, Japan
Birth Name: Wakasugi, Hiroko
Spouse: 'Mitsuo Wakasugi' (qv) (1954 - 19 August 2007) (her death)
Death Date: 19 August 2007
Birth Date: 22 January 1930
Kazuo Kosaka (producer)
Masatake Wakita (producer)
Yôzô Tanaka (writer)
Birth Notes: Tokyo, Japan
Birth Date: 17 May 1939
Junichi Watanabe (writer)
Noritaka Sakamoto (cinematographer)
Birth Date: 1935
Sei Ikeno (composer)
Kazuo Ikehiro (director)
Birth Notes: Tokyo, Japan
Birth Date: 25 October 1929
Kenji Goto (editor)
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